The Miracle of Birth came from Graham Chapman , who was actually a doctor, noticing that hospitals were changing, getting lots and lots of machinery "More apparatus please, nurse! Everybody wanted some chucked at them. There were a lot of gasps, as we had expected. Also, although it looked as if it was happening in a classroom full of pupils, the bit in Sex Education where John [Cleese] is "hard at work on the desk", had to be done without any children present at all. With this, it wasn't so clear.
In the film, you hear Terry [Jones] telling the children: All we could hear was a little voice inside saying: The vomit was compressed soup, actually. But there we go — we were contractually obliged to be in there. There were a lot of gasps, as we had expected. It's a darker film than the others. They've loosened up a bit now, you know. But some scenes, like Every Sperm and Creosote, are unforgettable. This gave surgeons more and more time to just chat as a patient lay there, in our case a woman having a baby. The Miracle of Birth came from Graham Chapman , who was actually a doctor, noticing that hospitals were changing, getting lots and lots of machinery "More apparatus please, nurse! With this, it wasn't so clear. Our film is going to be called The Meaning of Life. We had canisters of it with lumps in — and a catapult to fling it. On the morning after the final scene, in which Mr Creosote explodes and thousands of gallons of vomit get hurled against the walls, the room was all cleaned up immaculately — and, within 12 hours, two people were married in there. But The Meaning of Life was more disparate: It took me three hours to put the makeup on for Mr Creosote. So we didn't have the combined opinion of everybody. Terry [Gilliam] had to play this extraordinary character: The sheer amount of minestrone used in the vomiting sequence was only possible because we were with Universal. Indeed, I'd have liked it to be filmed without any grownups present, too! And another film I made, Personal Services, was banned there, too. The writing process was quite cumbersome. Rex Features The songs in the Python TV shows were always a little bit chirpy, done with our resident choir of about three people. Everybody wanted some chucked at them. The sketches drew on what we were feeling at the time.
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