Twitter user courtneysalvin pointed out that this could be a nod to the Horseman of the Apocalypse , referenced in the "Book of Revelation" in the Bible. The exchange of close-ups between Russell and Rhys just before the tryst is piercing, because they both seem so vulnerable. Luckily, The Americans gets down to emotional specifics soon enough. I hope they give him more to do in future episodes. The singer is perched on a car, and doesn't have any lines — but perhaps it's a teaser for a future collaboration. The white horse Image:
Nice scene between Mr. The shooting victim is then dragged off-screen by two similarly dressed men. Watch, do your homework, then watch again — that's just the joy that comes with Glover's work. She seems surprised, then elated and approving. Their ten faces are clear as day and jovial. She leaves the final decision of what to do with the guy to Philip. It's a pretty clear metaphor — the dancing, or the cultural contributions of black entertainers, draw cheers from all corners of society while racial violence and injustice continues to be an everyday and oft-ignored aspect of life. Sign up here for the twice-weekly Click Click Click newsletter. The guns are treated with more respect than human lives Image: It drives home the notion that this show is ultimately about marriage as both institution and metaphor. The singer is perched on a car, and doesn't have any lines — but perhaps it's a teaser for a future collaboration. It's an expertly packaged analysis of what's really happening in the United States. I hope they give him more to do in future episodes. Elizabeth is fiercely loyal to the motherland and to their mission to undermine and destroy the capitalist pigs of America. Elizabeth knows this about Phillip and has never stopped resenting him for it. Phones are out and recording Image: It's fun — we promise. Glover strolls in, shoots, and walks away nonchalantly and untouched. Our priorities are messed up, Glover seems to be saying. But they missed the boat, literally, and had to take the guy home, tie him up, and stash him in the trunk of the family Oldsmobile. We've cultivated a culture in which we emphasize the trivial, while pressing life-or-death issues are all around us, unaddressed. He was too transparently evil, too much the cartoon bully. As Russkie-spies-posing-as-boring-suburbanites Phillip and Elizabeth Jennings, Matthew Rhys and Keri Russell are as attuned to each other as cats born of the same litter. These two were bred to be secret agents assassins, seducers, deceivers for the USSR, but they want very different things. Seems like he was in too deep, as they used to say in undercover cop dramas.
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